Sunday, November 18, 2007
Thursday, November 15, 2007
Thursday, October 18, 2007
Friday, October 05, 2007
NEW PLASTIC MATERIAL CREATED
Smile at the graphic but read real news below
By mimicking a brick-and-mortar molecular structure found in seashells, University of Michigan researchers created a composite plastic that's as strong as steel but lighter and transparent.
It's made of layers of clay nanosheets and a water-soluble polymer that shares chemistry with white glue.
Engineering professor Nicholas Kotov almost dubbed it "plastic steel," but the new material isn't quite stretchy enough to earn that name.
Nevertheless, he says its further development could lead to lighter, stronger armor for soldiers or police and their vehicles.
It could also be used in microelectromechanical devices, microfluidics, biomedical sensors and valves and unmanned aircraft.
Thursday, October 04, 2007
MI26 HELICOPTER - HUGE
Sunday, September 09, 2007
Monday, September 03, 2007
Wednesday, July 25, 2007
Thursday, June 07, 2007
Friday, May 18, 2007
A Chinese grandmother has a five inch horn growing out of her forehead.
The horn curves downward and looks like the stalk of a pumpkin, reports the Yangcheng Evening Post.
Granny Zhao, 95, of Zhanjiang city, Guangdong province, says it first appeared three years ago.
"At first, it was only a mole, but it gradually grew and became like a horn," she said.
Zhao says the horn causes her little trouble except to affect her vision slightly: "It causes me no discomfort, but blocks part of my view."
But her family are hoping that medical experts can explain the phenomenon.
The horn curves downward and looks like the stalk of a pumpkin, reports the Yangcheng Evening Post.
Granny Zhao, 95, of Zhanjiang city, Guangdong province, says it first appeared three years ago.
"At first, it was only a mole, but it gradually grew and became like a horn," she said.
Zhao says the horn causes her little trouble except to affect her vision slightly: "It causes me no discomfort, but blocks part of my view."
But her family are hoping that medical experts can explain the phenomenon.
Wednesday, April 25, 2007
Monday, April 23, 2007
Sunday, April 15, 2007
Sunday, March 18, 2007
Monday, March 05, 2007
Michael Moore Outed
THE hunter has become the hunted. Michael Moore, the celebrated left-wing film-maker, has become the unwilling subject of a new documentary that raises damaging questions about the credibility of his work.
The director and star of successful documentaries such as Roger & Me, Bowling for Columbine and Fahrenheit 9/11, Moore has repeatedly been accused by his right-wing enemies of distorting or manipulating the material in his films. On his website he dismisses his critics as “wacko attackos”.
Yet the latest assault on Moore’s film-making techniques has come from an unexpected quarter. In Manufacturing Dissent, a documentary to be shown for the first time at a Texas film festival on Saturday, a pair of left-wing Canadian film-makers take Moore to task for what they describe as a disturbing pattern of fact-fudging and misrepresentation.
“When we started this project we hoped to have done a documentary that celebrated Michael Moore. We were admirers and fans,” said Debbie Melnyk, who made the film with her husband, Rick Caine. “Then we found out certain facts about his documentaries that we hadn’t known before. We ended up very disappointed and disillusioned.”
Melnyk and Caine are best known for their previous documentary Citizen Black, about Conrad Black, the Canadian-born former proprietor of The Daily Telegraph. Last week both of them acknowledged an important debt to Moore for popularising the documentary genre.
Yet when Caine and Melnyk began to follow him as part of their own documentary, their efforts to interview him met with the same kind of obstruction, denial and, ultimately, physical ejection that Moore had suffered when he tried to track down Roger Smith, the former chief executive of General Motors, for his first film, Roger & Me.
It was in Flint, Michigan, Moore’s former home town, that Caine and Melnyk made the first discovery that they say rocked their confidence in his approach. Roger & Me was a hugely successful account of what Moore portrayed as a fruitless task to force Smith to answer questions about GM’s policies in closing the car manufacturing plants that had long been Flint’s economic lifeline.
Caine and Melnyk claim that Moore interviewed Smith on camera twice. But the scenes were left on the cutting room floor, apparently for greater dramatic effect.
Manufacturing Dissent includes a long catalogue of alleged exaggerations or distortions in several of Moore’s films. In Bowling for Columbine, a scathing indictment of US gun violence, Moore visited Toronto to show parts of the city that were supposedly so free of crime everyone left their front doors unlocked.
“In the film, Michael makes it look as though 100% of the doors were unlocked, but his local producer told us it was really only 40%,” said Caine.
Caine and Melnyk said they had hoped to interview Moore about his views on how much editing was acceptable before a factual documentary turned into misleading propaganda.
“We had met him at a premiere of the Columbine film in Toronto, and he said, ‘Oh yes, talk to my people and they’ll set something up’,” said Caine. “We then called his people and they said he’s not doing any more interviews in Toronto. We had his e-mail, we sent a letter to his lawyers, we had his phone number in New York. But each time he said no.”
Then Caine and Melnyk began to run into open hostility. Eventually, in a scene that might have come from Roger & Me, they were bundled out of an event at Kent State University, where Moore’s sister, Anne, knocked aside Caine’s camera.
Moore is reportedly editing his next film, Sicko, about the US healthcare system, and a spokesman said he had no comment on Manufacturing Dissent. On his website he dismissed critics of Bowling for Columbine as “lying liars” and claimed that “organised groups [are] going full blast trying to discredit me”.
Yet Caine and Melnyk insist they should not be confused with the right-wing hordes who want to damage Moore.
“If you have to sell out your values and principles to get at a greater truth, where does that leave you?” said Melnyk.
“If we think it’s wrong for the government to lie and manipulate, how do we think that [left-wingers] doing it is the solution?”
The director and star of successful documentaries such as Roger & Me, Bowling for Columbine and Fahrenheit 9/11, Moore has repeatedly been accused by his right-wing enemies of distorting or manipulating the material in his films. On his website he dismisses his critics as “wacko attackos”.
Yet the latest assault on Moore’s film-making techniques has come from an unexpected quarter. In Manufacturing Dissent, a documentary to be shown for the first time at a Texas film festival on Saturday, a pair of left-wing Canadian film-makers take Moore to task for what they describe as a disturbing pattern of fact-fudging and misrepresentation.
“When we started this project we hoped to have done a documentary that celebrated Michael Moore. We were admirers and fans,” said Debbie Melnyk, who made the film with her husband, Rick Caine. “Then we found out certain facts about his documentaries that we hadn’t known before. We ended up very disappointed and disillusioned.”
Melnyk and Caine are best known for their previous documentary Citizen Black, about Conrad Black, the Canadian-born former proprietor of The Daily Telegraph. Last week both of them acknowledged an important debt to Moore for popularising the documentary genre.
Yet when Caine and Melnyk began to follow him as part of their own documentary, their efforts to interview him met with the same kind of obstruction, denial and, ultimately, physical ejection that Moore had suffered when he tried to track down Roger Smith, the former chief executive of General Motors, for his first film, Roger & Me.
It was in Flint, Michigan, Moore’s former home town, that Caine and Melnyk made the first discovery that they say rocked their confidence in his approach. Roger & Me was a hugely successful account of what Moore portrayed as a fruitless task to force Smith to answer questions about GM’s policies in closing the car manufacturing plants that had long been Flint’s economic lifeline.
Caine and Melnyk claim that Moore interviewed Smith on camera twice. But the scenes were left on the cutting room floor, apparently for greater dramatic effect.
Manufacturing Dissent includes a long catalogue of alleged exaggerations or distortions in several of Moore’s films. In Bowling for Columbine, a scathing indictment of US gun violence, Moore visited Toronto to show parts of the city that were supposedly so free of crime everyone left their front doors unlocked.
“In the film, Michael makes it look as though 100% of the doors were unlocked, but his local producer told us it was really only 40%,” said Caine.
Caine and Melnyk said they had hoped to interview Moore about his views on how much editing was acceptable before a factual documentary turned into misleading propaganda.
“We had met him at a premiere of the Columbine film in Toronto, and he said, ‘Oh yes, talk to my people and they’ll set something up’,” said Caine. “We then called his people and they said he’s not doing any more interviews in Toronto. We had his e-mail, we sent a letter to his lawyers, we had his phone number in New York. But each time he said no.”
Then Caine and Melnyk began to run into open hostility. Eventually, in a scene that might have come from Roger & Me, they were bundled out of an event at Kent State University, where Moore’s sister, Anne, knocked aside Caine’s camera.
Moore is reportedly editing his next film, Sicko, about the US healthcare system, and a spokesman said he had no comment on Manufacturing Dissent. On his website he dismissed critics of Bowling for Columbine as “lying liars” and claimed that “organised groups [are] going full blast trying to discredit me”.
Yet Caine and Melnyk insist they should not be confused with the right-wing hordes who want to damage Moore.
“If you have to sell out your values and principles to get at a greater truth, where does that leave you?” said Melnyk.
“If we think it’s wrong for the government to lie and manipulate, how do we think that [left-wingers] doing it is the solution?”
Sunday, January 28, 2007
Saturday, January 13, 2007
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